Posts Tagged "guggenheim"

(295) Ephrat Asherie, Artistic Director of Ephrat Asherie Dance, coming to the Vail Dance Festival

Posted by on 06.27.2022

https://media.blubrry.com/conversationsondancepod/tendusunderapalmtree.com/wp-content/uploads/2022/06/EphratAsherieVail.mp3Podcast: Play in new window | DownloadSubscribe: Google Podcasts | Spotify | RSS On today’s episode of ‘Conversations On Dance’, we are joined by Ephrat Asherie, Bessie Award winning b-girl and choreographer. We caught up with Ephrat on her artistic output since her first appearance on the podcast in January 2021, including her work for Guggenheim Works & Process, collaborating with the elders of the underground dance scene, and touring her work ‘Odeon’. Ephrat is returning to the Vail Dance Festival this year...

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(259) Durante Verzola, Choreographer, at Works & Process at the Guggenheim

Posted by on 11.08.2021

https://media.blubrry.com/conversationsondancepod/tendusunderapalmtree.com/wp-content/uploads/2021/11/DuranteVerzola.mp3Podcast: Play in new window | DownloadSubscribe: Google Podcasts | Spotify | RSS This week we are joined by choreographer, Durante Verzola. Durante began to hone his choreographic talents while training to become a dancer at the Miami City Ballet School. While still dancing professionally at Pennsylvania Ballet and Suzanne Farrell Ballet, the choreographic notices continued to pour in and he’s since created many works for Miami City Ballet, Central Pennsylvania Youth Ballet and many others. We talk to him about his creative process, how he...

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(33) Dance Historian Doug Fullington on ‘Le Baiser de la Fée’ or ‘The Fairy’s Kiss’

Posted by on 02.13.2017

http://media.blubrry.com/conversationsondancepod/tendusunderapalmtree.com/wp-content/uploads/2017/02/DougFullingtonBaiser.mp3 Podcast: Play in new window | Download Subscribe: Google Podcasts | Spotify | RSS This week happy to welcome back Doug Fullington, assistant to the artistic director at Pacific Northwest Ballet and the company’s education program’s manager. Mr. Fullington is a lauded dance historian, capable of reading Stepanov notation, a classical ballet notation system developed in Russia. He’s contributed to the reconstruction of many 19th century works, including ‘The Daughter of Pharaoh’, ‘Le Corsaire’, and recently, PNB’s ‘Giselle’. In...

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