Posts Tagged "Lourdes Lopez"
(181) Tricia Albertson, Principal with Miami City Ballet
https://media.blubrry.com/conversationsondancepod/tendusunderapalmtree.com/wp-content/uploads/2020/04/TriciaAlbertson.mp3Podcast: Play in new window | DownloadSubscribe: Google Podcasts | Spotify | RSS This week we are joined by our friend, Tricia Albertson, Principal dancer with Miami City Ballet. Raised in Santa Cruz, CA, she began her ballet training at The Studio School of Classical Ballet. She attended summer programs at San Francisco Ballet School and the School of American Ballet (SAB) before joining SAB for the year-round program in 1995. In 1997 she joined Miami City Ballet as a corps member and was promoted to Principal in 2006. In her 22 years with Miami...
Read More(140) LIVE from The Kennedy Center: Women Leading the Way in Ballet
https://media.blubrry.com/conversationsondancepod/tendusunderapalmtree.com/wp-content/uploads/2019/06/Women-In-Ballet-Panel-.mp3 Podcast: Play in new window | Download Subscribe: Google Podcasts | Spotify | RSS Today’s episode was recorded live at The Kennedy Center on Saturday June 1, 2019 before the matinee performance of Miami City Ballet as a part of Ballet Across America. We were joined by Virginia Johnson, the Artistic Director of Dance Theatre of Harlem (who had been performing earlier in the week), Lourdes Lopez, Artistic Director of Miami City Ballet, and celebrated choreographer, Pam Tanowitz. This panel was put together to discuss women leading the way in...
Read More(116) Lourdes Lopez, Artistic Director of Miami City Ballet
https://media.blubrry.com/conversationsondancepod/tendusunderapalmtree.com/wp-content/uploads/2018/11/LourdesLopezFinal.mp3 Podcast: Play in new window | Download Subscribe: Google Podcasts | Spotify | RSS Today we are joined by Miami City Ballet Artistic Director, Lourdes Lopez, and our former boss. Born in Havana, Cuba and raised in Miami, Lopez began taking ballet lessons at the age of five and continued her training full time at the School of American Ballet when she was 14. George Balanchine chose her to join the New York City Ballet corps de ballet shortly after her 16th birthday. She danced many featured roles with the company and was promoted by Balanchine...
Read More(33) Dance Historian Doug Fullington on ‘Le Baiser de la Fée’ or ‘The Fairy’s Kiss’
http://media.blubrry.com/conversationsondancepod/tendusunderapalmtree.com/wp-content/uploads/2017/02/DougFullingtonBaiser.mp3 Podcast: Play in new window | Download Subscribe: Google Podcasts | Spotify | RSS This week happy to welcome back Doug Fullington, assistant to the artistic director at Pacific Northwest Ballet and the company’s education program’s manager. Mr. Fullington is a lauded dance historian, capable of reading Stepanov notation, a classical ballet notation system developed in Russia. He’s contributed to the reconstruction of many 19th century works, including ‘The Daughter of Pharaoh’, ‘Le Corsaire’, and recently, PNB’s ‘Giselle’. In...
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